Visual Scream AI
Generative visuals that listen
Powered by Tayel AI Labs
We do the visuals for clubs, parties and live sets. Not by playing video files — we don't own any. Our system listens to the room through a microphone, works out the tempo, the bar, the phrase and where the track is in its arrangement, and then paints from that, frame by frame, as the night happens.
What we actually do
Music Visuals
Not a playlist cued to a track. The sound goes in on the left and comes out on the right as something that was never a file — and the whole of it happens in the time it takes the next bar to arrive.
How it works
It hears the drop before you do
Most visual rigs run a playlist of clips and hope they land. Ours decides what to show from what it is hearing, on the beat it is hearing it.
It listens
A microphone, pointed at the room. No cable to the booth, no link to the DJ's laptop, nothing for anyone to plug in or configure. It works with whoever is playing, on whatever they are playing on.
It finds the grid
It locks onto the beat within seconds and stays locked — through a new track, a tempo change, a different DJ taking over. From there it counts bars and sixteen-bar phrases the way a DJ counts them.
It reads the arrangement
Breakdown, build-up, drop, groove — it knows which one the track is in. And it knows a drop is coming before it lands, so the visuals arrive with it instead of chasing it.
It cuts on the phrase
Scenes change on the first beat of a phrase, never on a timer. A cut that lands on the bar reads as intentional. The same cut two beats later reads as a mistake, and a room can tell the difference even if nobody can say why.
It paints, it doesn't play
Every scene drawn from scratch as it plays. Noise fields, fractals, liquid light, cartoon mushrooms, acid-house faces, one enormous blinking eye. No file is ever loaded.
It runs all night
Eight hours without repeating a frame, without a playlist to run out, and without anyone standing over it. Palettes rotate through the night and warm up as the sun comes.
The numbers
Built to not break
A visual rig fails in front of three hundred people or it does not fail at all. Everything here is built around that.
Works offline
Venue wi-fi at 1 a.m. is not something to stake a night on. The whole system caches itself on first load and runs with the network unplugged.
Safe to look at
Large-area flashing is rate limited well below the photosensitive seizure threshold, and capped in amplitude. There is a safe mode that halves it again.
Any screen shape
Projector, LED wall, a long strip over a bar, a vertical totem beside a door. The composition adapts to the shape it is given, and comes with a test card for walls nobody has measured.
For artists on the bill
Your mark, on the drop
Playing a set with us? Send your logo. It holds for the opening of your slot, then appears by itself on every drop for the rest of your hour, and clears before the next act — so it can never end up over somebody else's set.
Emblem
Your mark over the visuals with its own glow. The most legible of the three.
Window
Everything outside the letters goes dark and the scene keeps playing inside them. The one that lands on a big screen.
Burn
The mark punched out of the picture with its edges alight. Covers the least.
The set
Thirty-three scenes
Four registers, and the contrast between them is the point. Fields and fractals that dissolve into each other. Flat graphic work with hard black outlines. Scenes with a subject — a face, an eye — filled with a second pattern that keeps moving. And two built around the middle of the screen: one throws everything out of it, the other drags everything in.
Bookings · Alexandria & everywhere
Tell us about the night
The room, the date, the screens you have. If you don't know what screens you have, that is fine — we have worked that out before.
book@visualscreamai.cc +20 109 377 4549